Gather round, friends – it’s time for our annual bonanza of art-related quizzing! Play with your family over tea and mince pies, or just take the ruddy thing right now! Let’s see what you remember from the year gone by…
Catch up on talks at the RA surrounding our exhibition America After the Fall: Painting in the 1930s.
Art historian R. Tripp Evans delves deep into the significance and origins of Grant Wood’s iconic painting, one of the works in the RA’s exhibition America after the Fall: Painting in the 1930s.
Professor Sarah Churchwell examines the political, cultural and aesthetic contexts of the RA exhibition ‘America after the Fall: Painting in the 1930s’, which includes works by Grant Wood, Edward Hopper and Georgia O’Keeffe.
With ‘American Gothic’ in the UK for the first time, we take a look at some of the other iconic works that have attracted moustaches, Muppets and other mimicry across art history.
Tim Marlow introduces Grant Wood, the artist whose portrayals of small-town life in America include one of the most recognisable paintings of all time.
As Grant Wood’s American Gothic goes on show at the RA, the former Creative Director of the Muppets explains how he came to make a painstaking tribute to it – and why he owes Piggy an apology. We begin our story in Bermuda…
As ‘America after the Fall’ brings some of the country’s most iconic works to Europe for the first time, Sarah Churchwell considers the cultural and political backdrop to Depression Era art.
A hundred years on from the Russian Revolution and the Great Depression, should artists get involved in politics like the Constructivists? Or should they remain distant like Thomas Hart Benton? Having the choice is fortune indeed, says artist Bob and Roberta Smith.