There’s something magical about the centuries-old art of wood engraving, in which an artist uses the same tools used to engrave jewellery to create extraordinarily detailed prints. Wood engravings differ from woodcuts in that they are created using the endgrain of the wood – a cross-section of a tree trunk or branch – rather than a plank. This gives a harder surface and means that the marks cut into the surface are not affected by the pattern of the grain.

Anne Desmet RA is one of only three wood engravers to be elected as Academicians in the Royal Academy’s nearly 250-year history. She is an experienced printmaking tutor and was editor of Printmaking Today from 1998-2013. In this video, she takes us through each step in creating a wood engraving, including tips on how to use traditional tools like the diamond graver and the spitsticker.

A signed print of San Severino Marche is available as a special edition of 40 with Anne Desmet’s new book Italian Journey.

Anne Desmet will teach a two-day masterclass and practical workshop on wood engraving on 19 and 20 November 2016.

Anne Desmet RA: An Italian Journey is at the Royal Over-Seas League, London, from 5 October – 2 December 2016. Open 10am – 6pm daily.