Take a closer look at how one of Britain’s most celebrated 19th-century sculptors tackled an ancient Roman tale in marble.
Draughtsmanship was an essential part of Lord Leighton PRA’s artistic practice and he placed great value on his drawings.
Henry Tuke is a British painter known for his accomplished approach to the depiction of outdoor light. He studied in London, Florence, and Paris where he developed his plein-air style, but it was Tuke’s sensitive treatment of the male nude outdoors, of which July Sun is a masterful example, that established his reputation, and led to his election as a Royal Academician.
As we celebrate Leonard Manasseh RA’s 100th birthday, we take a look at the architect’s design for Radipole Lake pumping station.
As Yinka Shonibare RA prepares to wrap the Academy’s Burlington Gardens façade in his bold designs, the RA Collections team takes a look at one of his distinctive works.
“All my paintings are ultimately about the human condition, figures doing something or nothing.”
“My paintings are abstract to me.” Basil Beattie RA’s painting suggests a narrative of ascent, but leads nowhere.
“There was always landscape,” George Clausen RA said of his painting.
By 1880 there was huge competition amongst publishers to employ the best writers, illustrators and designers for books published in the run up to the Christmas holiday.
Through his paintings, drawings and engravings, Bill Jacklin RA has obsessively pursued an exploration of light and darkness in all its possible forms.
A 19th-century cast of Francesco Laurana’s bust of Maria Sforza is currently on display in the RA Library as part of Edmund de Waal’s project, ‘white’.
The architect’s design for the new Mary Rose Museum in Portsmouth was created to house the remains of the Tudor warship.
The artist’s short, vigorous brushstrokes and bright palette of blues, greens and white suggest the fresh, vivid atmosphere of the mountains.
The artist’s printmaking combines boldly defined outline with vivid colouring, an approach which the artist also applies to his own self-image.
As he observed the daily life of farming peasants, Pisarro illustrated his belief in an idyllic rural community balancing work with leisure.
Fishing was often a subject of JMW Turner’s paintings. Here we take a look at his own fishing rod.
As a new exhibition of paintings by Sir Joshua Reynolds opens at the Wallace Collection, we take a look at one of his more experimental pieces in the RA Collection.
A trip to Pompeii in Italy ignited a preoccupation with Classicism that spanned Sir Lawrence Alma-Tadema RA’s career.
Though she has travelled from Europe to South Africa and New Mexico, it is the rugged terrain of Scotland to which Barbara Rae RA repeatedly returns.
Working out of doors, Sir John Arnesby Brown RA used dynamic brushstrokes and a palette knife to capture bovine energy and the drama of dark, thundery clouds.
Typical of the work of Allen Jones RA in its examination of the voyeuristic gaze, this print depicts the psychology of human interaction in bold unmodulated colours.
Originally cast in 1776 from the corpse of a smuggler fresh from execution, ‘Smugglerius’ was commissioned to improve the teaching of anatomy in the RA Schools.
Combining several elements of his work, this piece features the crowds common to works by Lowry, who often painted from memory or imagination.
Taken from one of the artist’s sketchbooks, this captures the Italian town of Nonantola just prior to the beginnings of the First World War.
These two canvases are a study for a panoramic work, ‘A Closer Grand Canyon’, which was made up of 96 individual canvases and painted in 1998.
One of the treasures of the Royal Academy Collection is now on display in a new exhibition about Michelangelo at the Capitoline Museum in Rome.
One of the most influential figures in twentieth-century British art, Sickert’s Diploma work uses an impasto style to depict the ornate Baroque decorations of the Santa Maria della Salute in Venice.
The influence of Aitchison’s travels to Italy is evident in this representation of the Crucifixion, presented to the Academy on his election.
In 1910, C. Lewis Hind in the Art Journal, summarised Mark Fisher’s working practice thus: ‘He just walks out, sees something, feels an irresistible desire to paint it, and proceeds to paint it in the open air.’
Terry Setch painted ‘Smoked Out’ for the exhibition Images of Paradise held at Harewood House, Yorkshire, in 1989. The exhibition was organised by Survival International, a group dedicated to protecting the lives, culture, and land of tribal peoples.
Joseph Farquharson RA was a landscape painter who was celebrated for his winter scenes, which he infused with a strong sense of atmosphere and mood.