Catch up on our recent event series on the mavericks of architecture – those who have pushed the genre’s boundaries and defied its conventions.
From a contemporary perspective, does Nicholas Hawksmoor outshine his master, Christopher Wren? Owen Hopkins reassesses two geniuses of British Baroque architecture.
With architectural production becoming ever more beholden to the needs of capital and the building industry, the role of the architect is changing, says our curator. Owen Hopkins introduces the critical issues informing our new season of events.
As we launch an architectural ideas competition, our curator looks at the untapped potential of London’s underused land – and why the solution is not as simple as it seems.
This spring, the RA presents a season of debates, talks and an exhibition on the future of housing – sure to be a hot topic in election year.
Owen Hopkins reports on the culmination of a project that invited design teams to propose new and speculative ideas of what Mayfair could look like in the future.
Celebrate the Solstice with the RA. We’ve got blues, burlesque and barnstorming yarns for you at our very special late night event.
In light of the recent launch of the ‘Skyline’ campaign and the publication of the Farrell Review, Owen Hopkins discusses the effects on London of the deficiencies of our current planning system.
‘Sensing Spaces’ was a transformative exhibition for the RA in lots of ways and from the beginning we wanted to break new ground in the types of events we organised for it.
Swimming in the Thames, a new Serpentine Pavilion and the Pritzker Prize winner announced.
In partnership with the Architects’ Journal, we are launching an open call for architect-led teams to put forward bold new ideas for reimagining the area of Mayfair directly to the north of our Burlington Gardens building.
From derelict Detroit to the return of Crystal Palace: the biggest stories in architecture this March.
Owen Hopkins tours the good, the bad and the ugly of City of London architecture.
This is a question that has vexed countless curators over the decades. For an exhibition of art, it’s seemingly obvious. But what does this mean when you’re presenting the work of an architect?