Ahead of the exhibition ‘Francis Bacon: Man and Beast’ Jenny Saville RA reflects on the profound impact Bacon has had on her life and work.
Author, classicist and comedian, Natalie Haynes, explores the theme of nature in classical mythology, from Bernini and Giambattista Tiepolo, to John William Waterhouse RA.
David Hockney works outdoors to capture his vibrant spring scenes – in a tradition that goes right back to Constable and the masters of the 18th century. Artist and tutor Andy Pankhurst shares some tips to get you started…
Spend 60 seconds exploring the dark mythology behind John William Waterhouse RA’s ‘A Mermaid’.
Explore the dark territories and raw emotions distilled in the artworks of Tracey Emin and Edvard Munch in this virtual tour of our landmark exhibition.
From Thetford forest to the Medici Venus, unmask the influences behind the work of painter and sculptor, Lisa Wright.
From ‘My Bed’ to ‘The Scream’, Tracey Emin and Edvard Munch are two artists who are able to distill pure, raw emotion into their works. Here are 10 that encapsulate those feelings of anxiety, grief and loneliness.
Wilhelm Hansen scoured 20th-century Paris collecting Impressionist paintings – even buying one from his dentist. Now, these paintings are coming to the UK for the first time in Gauguin and the Impressionists: Masterpieces from the Ordrupgaard Collection.
Filmed in 1956, ‘Le Mystère Picasso’ is a documentary capturing Picasso in full creative flow. Three of the works he’s seen making in the film are now the walls of the RA, in ‘Picasso and Paper’ – watch how one of them came to be, in this short film…
Belgian artist Léon Spilliaert was an insomniac. He wandered the streets of Brussels at night in search of inspiration. In this video, delve into the solitude and mystery that encompasses the artist’s evocative paintings.
The two figurative artists are at the centre of Tate Britain’s ‘All Too Human’ exhibition, but they haven’t always been so favoured. Here we look back to a time when a young Bacon and Freud were much ignored.
Catch up with recordings of events surrounding our exhibition reuniting the extraordinary art collection of Charles I.
Salvador Dalí may have made Surrealism famous, but an overlooked group of artists, writers and activists in 1940s Cairo made the movement their own. Here we look at their pioneering work, currently on show at Tate Liverpool.
In 1936 British artist Gluck painted herself and her lover in a radical depiction of same-sex partnership. With a show at Brighton Museum and Art Gallery exploring her life and work, we look at the story behind the painting.
A tribute to the artist’s lifelong choreographer friend, this painting is full of symbols and allusions that aren’t immediately clear. Here, art historian Simon Wilson takes a close look at the work’s testicles, cutlery and fancy footwork.
Catch up with our events surrounding the exhibition, from an introductory talk by exhibition co-curator Professor Dawn Ades CBE FBA, to a close look at a key work from the show – Dalí’s ‘Christ of Saint John of the Cross’.
Over the past six decades, Jasper Johns’s paintings, sculptures, drawings and prints have left an indelible mark on art. With the RA showing a major survey of his practice to date, here’s a closer look at ten of his key works.
The two artists discuss their new work and the status of painting today, in a discussion chaired by the RA’s Artistic Director Tim Marlow.
This month the RA celebrates Jasper Johns as one of America’s greatest living artists – here art historian Barbara Rose explores the complex transformations of objects and images throughout his work.
With our Matisse in the Studio exhibition now open, Nicholas Watkins reveals the artist’s working practice – orchestrating objects and models in his French ateliers to explore colour, line and space.
With two solo shows this year, her final months as the Keeper of the Royal Academy Schools and the job of coordinating this year’s Summer Exhibition, it’s a busy time for Eileen Cooper. In the latest in our ‘As I see it’ series, the artist talks bad reviews, good dogs, and what she’ll do once all this work is done.
Painter and sculptor Maggi Hambling discusses her work with the RA’s Artistic Director, Tim Marlow.
Working from her garden studio in Sussex, painter Olwyn Bowey RA has tenaciously pursued her interest in the natural world over many decades, and the results are continuing to bear fruit.
David Hockney RA talks to curator Edith Devaney about his Royal Academy exhibition ‘82 Portraits and 1 Still-life’.
A French-born painter famed for his detailed naval scenes, the artist had an adventurous early life, before returning to England in the 1750s to embark upon a successful artistic career and become a founding member of the Royal Academy in 1768.
For Etel Adnan, art world success came late – in her eighties. Anna Coatman met the writer and painter in Paris ahead of a major show in London.
Who painted this young Venetian nobleman? When it comes to Giorgione, questions of attribution have divided opinion for centuries. We invited two experts to argue it out – read both sides then cast your vote.
“I knew I had to paint it in winter,” says Ken Howard. The artist tells us how he became hooked on painting this Chelsea Square, why he had to paint it quickly and when he knew it was done.
Royal Academician Diana Armfield tells us about a creative partnership that has stood the test of time.
Who was Jean-Etienne Liotard? We introduce one of the most idiosyncratic figures of the 18th century, a master portrait-painter whose works are characterised by their warts-and-all realism and technical virtuosity.
Fred Cuming RA reflects on his long career as a painter in this short film, shot in and around his East Sussex home.
In 2016 the RA celebrates the life and work of James Ensor, whose macabre paintings of crowds and carnivals made him one of Belgium’s most prominent artists of the early twentieth century.
Coming to the RA this spring are iconic works by Giorgione, Dürer, Bellini, Titian and more, in a celebration of Venetian painting in the early 16th century. Here are six key insights into one of the most influential moments in art history.
Autumn 2016 sees a landmark exhibition of Abstract Expressionism taking place in the main galleries at the Royal Academy.
In 2016, the Royal Academy explores the influence that gardens exerted on the evolution of art from the 1860s to the 1920s. Here we pick out six of the greatest artist-gardeners from ‘Painting the Modern Garden: Monet to Matisse’.
Does our perception of a painting rely on the electricity of human encounter? This week’s writers battle it out. Read both sides then vote below…
Take a look inside our Richard Diebenkorn exhibition in these short videos presented by the exhibition’s curators.
The Royal Academician explains how the nature of memory and a sense of place are driving forces in his latest series of paintings.
The Royal Academician explains how his new series of paintings in silicone and resin have a close connection to his blockbuster 2009 show at the RA.
Sometime in his later career, Diebenkorn wrote down ten points of artistic intention. Sharing them here, we also begin a new series of notes, asking artists to share their own creative wisdom.
Mick Rooney remembers his fellow Academician, the painter William Bowyer, who has died aged 88.
A key figure in the revival of line engraving in the 1920s, Stanley Anderson RA (1884–1966) is best known for his series of prints memorialising England’s vanishing rural crafts.
As the Academy celebrates the American master, painter Ian McKeever RA explores Richard Diebenkorn’s profound inquiry into the nature of abstraction.
Richard Diebenkorn has long been hailed as a ‘painter’s painter’. Here, Barbara Rae RA reflects on the impression he made upon her when they met.
This March the RA celebrates the fascinating career of Richard Diebenkorn, one of the great twentieth-century masters of American painting.
Past President of the RA Phillip King pays tribute to his friend and colleague Ivor Abrahams RA, who has died aged 79.
The influence of the Flemish Baroque master can be seen across art history, from the portraits of Van Dyck to the prints of Picasso. Here’s a quick intro to “the prince of painters”.
Behind garage doors at his Cotswolds home, Mick Rooney RA conjures a magical world on canvas.
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A new poem by George Szirtes, written in response to our Anselm Kiefer exhibition.
The Royal Academician’s major exhibition in London turns to us, the people of modern Britain, unveiling 14 new portraits that spotlight the complexities behind our identity.
The Royal Academician shares a chapter from her new memoir.
Learn more about some of the highlights of our Collection that have recently gone on show in the John Madejski Fine Rooms.
Our upcoming Rubens show is the first major exhibition to look at the Flemish master’s influence on four centuries of art history. We caught up with curator Arturo Galansino to learn about the genesis of the show.
Each month, we have a quick chat with one of our Academicians to find out what they’re up to and what the RA means to them.
We take a look at the latest work from the President of the RA, whose paintings embrace the transcendent powers of abstraction.
In the lead-up to his major RA exhibition this autumn, we take a look inside the artist’s huge “gesamtkunstwerk” in the south of France.
The legendary Venezuelan artist Carlos Cruz-Diez discusses his experiments with colour and movement, and how he engages viewers with his art.
Two shows shine a new light on the Dutch modern master’s work.
How does an art movement travel to a new continent? As the RA’s ‘Radical Geometry’ opens, Gabriel Pérez-Barreiro maps the cultural and political changes that were crucial to the development of abstraction in South America.
We visit the converted stable where the nonagenarian artist Alan Davie RA creates his jewel-like paintings.
Terry Setch painted ‘Smoked Out’ for the exhibition Images of Paradise held at Harewood House, Yorkshire, in 1989. The exhibition was organised by Survival International, a group dedicated to protecting the lives, culture, and land of tribal peoples.
George Frederic Watts RA was an influential and pre-eminent painter during his own lifetime. He became known for his portraiture and his Symbolist allegorical paintings, frequently depicting scenes from mythology, history, literature, and the Bible.
A new exhibition at Margate’s Turner Contemporary pairs Abstract Expressionist Helen Frankenthaler with JMW Turner
Joseph Farquharson RA was a landscape painter who was celebrated for his winter scenes, which he infused with a strong sense of atmosphere and mood.
Robert Anning Bell presented ‘The Women Going to the Sepulchre’ to the Royal Academy as his diploma work on his election as a Royal Academician in 1922.
New York at the start of the 20th century was a hotbed of explosive urbanisation. The RA’s exhibition of Bellow’s work explores the idea of painting from raw experience.