Charles and Ray Eames contributed much more to art and design than their iconic chairs, as a Barbican exhibition reveals.
Anne Desmet RA is known for her prints and collages exploring space and time. But in her new show she combines these with objects in unusual and playful ways.
Looking for something unusual at the October art fairs? Head for Frieze Masters Spotlight section.
From the Yorkshire Sculpture Park to the newly opened Centre of Ceramic Art, the county hosts some outstanding shows this autumn.
As the first show of Goya’s portraiture opens today, Caroline Bugler considers three ways the Spanish master broke the genre’s boundaries.
As his biography of Benjamin West PRA is published, Loyd Grossman reveals how this founding member of the Academy broke with the past like no other artist of his era.
Ma Jian is renowned for his novels exploring subjects censored in China, where his books are banned, and he has been barred from entering the Chinese mainland. Ahead of Ai Weiwei’s RA retrospective, we asked the writer about his admiration for the artist, and about the limits of free expression in China.
The Swiss artist Jean-Etienne Liotard was one of the great portraitists of the Enlightenment. Christopher Baker introduces the idiosyncratic Orientalist whose travels through the courts of Europe and beyond resulted in works of exceptional delicacy.
With a display on Beijing’s Caochangdi in our Architecture Space, our curator discusses the Ai Weiwei-designed buildings of this artists’ region, and their place in a rapidly developing city.
This autumn, the RA Library and Print Room will host a project by Edmund de Waal: an exploration of the colour white. Here, he takes us through some of the objects on display.
Fearless and uncompromising, Ai Weiwei’s art challenges cultural values, confronts injustices and pushes materials to their limit. Sam Phillips talks to the artist about his show at the RA, which he was not expecting to be able to attend.
The late John Hoyland RA told Damien Hirst about meeting Francis Bacon, and what it is to be a painter.
Chris Wilkinson RA has continued to value hand drawing in an age where digital software prevails in architectural offices. Hugh Pearman meets him as a show opens at the RA to accompany the publication of his sketchbooks.
To mark the 200th anniversary of the Battle of Waterloo, and the Academy’s display of Daniel Maclise RA’s extraordinary drawing, Owen Sheers writes a poem considering its significance in the context of war art.
The abstract art of Sean Scully RA is installed in the 9th century church of Santa Cecilia in Catalonia.
In his new book of essays, Julian Barnes offers insightful lessons in how to look at – and read about – art.
The intensely wrought paintings of Frank Auerbach find their match in Giacometti’s sculptures, as two shows reveal, says Simon Wilson.
Despite various challenges, including a leaking roof, Sonia Lawson RA is keen to return to her garden studio, says Fiona Maddocks.