Belgium’s leading contemporary painter, who curates the RA’s James Ensor exhibition, tells Sam Phillips why it is time to reassess Ensor’s art.
The Belgian artist James Ensor painted life through the lens of the carnival, creating unsettling and often satirical works. Michael Prodger searches for the man behind these intriguing images.
Despite the image of art dealing as a man’s world, women played a crucial role in the display, promotion and sale of 20th-century British art. Gill Hedley profiles three female gallerists who promoted British artists.
As Christie’s auction house celebrates 250 years of wielding the gavel, Martin Oldham tracks down its founder James Christie, a man who turned the humble auction into the spectacle it remains to this day.
Modern artists rejected the Western canon in favour of tribal art, writes Simon Wilson, as he takes in shows in Vienna and Berlin.
As the Academy stages a show of Peter Cook RA’s drawings to mark his 80th birthday, Kate Goodwin asks the architect about his vision for urban ways of life.
Video artist Elizabeth Price is curating a show in Manchester that explores the horizontal in art. Anna Coatman meets her and finds the concept works on many levels.
What did the artists associated with Abstract Expressionism do so differently? And how is their work still relevant today? As the first survey of Abstract Expressionism for nearly 60 years is staged in Britain, co-curator David Anfam answers key questions.
Should artists bow to tradition, or should they break all the rules? Martin Gayford and Richard Cork go head to head. Vote on the winner below.
Rebecca Salter RA talks about the “uncharted territory” of working in film for Picture the Light, her collaboration with the musician Max de Wardener.
The ebullient, multimedia artist-poet Brian Catling RA is reluctant to identify his studio as a physical space, as Fiona Maddocks discovered when she met up with him in Oxford.