The artist’s studio faces extinction in the capital if the property market continues to price artists out. But change might be afoot, reports architectural critic Hugh Pearman, as he explores six possible solutions.
Ahead of a Tate survey of Black art in America, Bonnie Greer tracks the emergence of a generation that defined itself on its own terms.
It may be only a short step from the RA to the National Gallery, but the loan of the Academy’s rarest treasure to the Michelangelo and Sebastiano show is a triumph of technical skill.
Rather than being supplementary to his paintings, were Raphael’s drawings works of genius in their own right? RA Magazine’s Sam Phillips argues the Ashmolean Museum’s once-in-a-lifetime show offers a rare chance to reassess this aspect of his work.
How are the capital’s artists using their working spaces today? In the spirit of this year’s Summer Exhibition, which is encouraging artists who have not shown before at the RA, Skye Sherwin visits first-time exhibitors at work to see what they are bringing to the Academy.
Is an artists’ union necessary? Bob and Roberta Smith RA and David Mach RA share their thoughts. Cast your vote below.