As the exhibition comes to an end this weekend, curator Arturo Galansino selects his favourite works in the show.
How does the RA ensure the works of art it borrows remain in exemplary condition? Eleanor Mills charts the conservation challenges of bringing the woodcut prints in ‘Renaissance Impressions’ to the UK.
National Gallery curator, Dr. Jennifer Sliwka, discusses the works of Domenico Beccafumi.
Royal Academician and printmaker Anne Desmet led a workshop for attRAct students, taking inspiration from our current exhibition, ‘Renaissance Impressions’.
From traditional engravings to cutting edge digital techniques: the RA Schools is a hive of creative approaches to printmaking.
Exhibition curator Arturo Galansino introduces ‘Renaissance Impressions’.
Welcome to Print Month. This April we’re celebrating the versatile art of printmaking, with a packed programme of exhibitions, events and online activity.
As exceptional examples go on display in ‘Renaissance Impressions’, printmaker Anne Desmet RA reveals the story behind this pivotal development and discusses why these rare prints continue to dazzle us today.
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Inspired by our ‘Renaissance Impressions’ exhibition, Stephen Chambers RA decided to create his own chiaroscuro woodcut. Here he shares his discoveries and includes his step-by-step guide.