These are difficult times for everyone – but art thrives in a crisis, says Rebecca Salter PRA, as we launch a new series of artists and architects documenting their creativity in isolation.
With our Matisse in the Studio exhibition now open, Nicholas Watkins reveals the artist’s working practice – orchestrating objects and models in his French ateliers to explore colour, line and space.
The artist’s studio faces extinction in the capital if the property market continues to price artists out. But change might be afoot, reports architectural critic Hugh Pearman, as he explores six possible solutions.
How are the capital’s artists using their working spaces today? In the spirit of this year’s Summer Exhibition, which is encouraging artists who have not shown before at the RA, Skye Sherwin visits first-time exhibitors at work to see what they are bringing to the Academy.
How do you make work indoors that’s destined for a life outdoors? With the opening of his exhibition at Yorkshire Sculpture Park, the artist discusses the realities of making art surrounded by rats, sunshine and Henry Moore.
Packed full with “sketchboxes” and folders, carefully arranged in his own unique filing system, Joseph Cornell’s studio was like a laboratory for his art experiments. The curator of our show takes us inside.
In a discussion chaired by the RA’s Tim Marlow, Anselm Kiefer and David Chipperfield RA explore the ways art and architecture interact in Kiefer’s practice.
Continuing our series on artists’ epiphanies, Sam Phillips visits the Welsh beach that transformed Setch’s art.