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Henry Hugh Armstead RA

Design for the 1856 Goodwood Cup, 1856

Pen and ink and brown wash over pencil on cream wove paper

Henry Hugh Armstead RA

Three studies of a seated male figure for Llandaff Cathedral carvings

Pen and dark brown ink over pencil on cream wove paper

James Barry RA

Male nude sitting on a rock, c. 1790s?

Pen and ink over black chalk on cream laid paper

James Bateman RA

Detail of a Tree (Study for 'Pastoral'), c. 1928

Crayon on wove paper

Olwyn Bowey RA

Welsh farm, ca. 1960s

Pencil on wove paper

Edward Francis Burney

The Antique School at New Somerset House, ca. 1780

Pen and ink with watercolour wash on laid paper

H.T. Cadbury-Brown RA

Preliminary design for the library print room, Royal Academy of Arts, Burlington House, Piccadilly, London: perspective looking south, c. 1990

Print with black ink and coloured washes added

Sir William Chambers RA

Design, as built, for southwest wall, with central door, of the Saloon, Buckingham House, London: elevation, c.1788

Pen with black and brown ink and coloured washes with black line border

Sir William Chambers RA

Alternative design for window wall with thin piers, Queen Charlotte's Drawing Room, Windsor Castle, Berkshire: elevation, c.1795

Pen with black and green ink and coloured washes in a grey wash border

Sir William Chambers RA

Design for window wall, Queen Charlotte's Music Room, Windsor Castle, Berkshire: elevation, 1794

Pen with black and green ink and coloured washes in a grey wash and black ink border

Sir William Chambers RA

Design for wall with two doors, Queen Charlotte's Drawing Room, Windsor Castle, Berkshire: elevation, 1795

Pen with black and brown ink and coloured washes in a grey wash border

Sir William Chambers RA

Design, almost as executed, for the Temple of Diana, Blenheim Palace, Oxfordshire: detail elevation of urn, c.1791

Pen with black and brown ink and coloured washes within ruled and wash border

Sir William Chambers RA

Design, almost as executed, for the Temple of Diana, Blenheim Palace, Oxfordshire: elevation, c.1791

Pen with black and brown ink and coloured washes within ruled and wash border

Sir William Chambers RA and John Yenn RA

Design, almost as executed, for the Temple of Health, Blenheim Palace, Oxfordshire: elevation, c.1789

Pen with black, brown and red ink and coloured washes within ruled and wash border

Sir David Chipperfield RA

Neues Museum, Berlin, Germany: longitudinal section, 2008

Digital print on canvas

Attributed to Giovanni Battista Cipriani RA

Design for a ceiling

Pen and ink with watercolour wash on wove paper

Helen Clapcott

The Life Room, ca. 1979

Tempera

Sir George Clausen RA

Sketch of a cottage

Pencil on wove paper

C.R. Cockerell RA

Competition design for the new Houses of Parliament: plan and elevation of the river front, c.1835

Pencil, pen with black ink and grey wash

Sir Peter Cook RA and Christine Hawley

Design for Medina Circle Towers, Tel Aviv, Israel, 1997

Print with coloured washes, coloured pencil and red plastic film

Edward Cullinan RA

Competition design for Lycée Privé (private secondary school), Lagny, France: aerial view, June 1992

Pen with black ink on tracing paper

Trevor Dannatt RA

Design for the ambassador's residence, HM British Embassy, Riyadh, Saudi Arabia: ground and first floor plans, west and east elevations and two sections, 1984

Pencil and coloured chalks on polyester sheet (mylar) attached to white board attached to brown board

Thomas Newenham Deane

Design for Crown Life Assurance Office, Fleet Street, London

Lithograph

Balthasar Anton Dunker

Architectural capriccio of the Pantheon of Agrippa and Port of Ripetta, 1761

Etching and engraving