I love it when I see sketches that really show form. I work a lot with choreography and this feels like a choreographed pose... something about it is quite powerful and emotional.

Although it is just a study of a door, it’s a very interesting door and it makes me feel invited into the painting.

There’s a pomposity to this 19th-century scene, but at the same time I find myself interested to have been in the room, to find out what they were saying about the paintings.

This drawing feels like a work-in-progress. You feel like you’re in the mind of the artist and you’re looking at how they’re approaching a particular idea.

This painting made me want to know more about her; how this painter had discovered her and what her story was. It reminds me of an old Indian painting that we used to have in our house.

I love the effortless way in which this drawing is sketched out. There’s not much in this, it looks very simple, but it gets across material in a really good way.

I really like this lighting in this particular photograph. It’s the way the exposure makes the light bleed into the subject’s arm and into the wall, it has a real softness.

This sculpture is fantastic... almost everything you see of Antony’s work is directly looking at the human form, so it’s quite unusual to see something that is a remnant of a human form.

This study, it’s got a visceral power and energy to it that I’ve never seen in anything of Constable's before. I like the darkness of the colours and the fearlessness of the strokes.

You feel like you’re seeing a human being formed from the ether, or from the air around them. There’s such beautiful, although simple, detail in this drawing.

The sketch looks almost cartoon-like to me... you get a real sense of the horse being exhausted from the journey, and Lady Godiva looking quite worried about where she’s about to end up!