Take a tour of the exhibition ‘Whistler’s Woman in White: Joanna Hiffernan’ with its curators, and delve into the life of the artist’s principal model.
Ahead of the exhibition ‘Francis Bacon: Man and Beast’ Jenny Saville RA reflects on the profound impact Bacon has had on her life and work.
As Hélène Binet’s enigmatic photographs of buildings go on show at the RA, Fiona Maddocks asks the artist about the meeting between light and line, and mood and memory in her works.
What does a 230-year-old household bill tell us about life modelling in the 18th-century? Here, we explore the historical role of the female nude life model at the RA.
Angelica Kauffman and Mary Moser were the only two female founders of the Royal Academy. Here, we take a closer look at their careers and the challenges they faced within the RA.
19th-century women faced an uphill struggle to get equal access to training at the Royal Academy Schools. Here, we delve into the RA Archive to learn more about women’s fight for equality.
A designer of decorative furniture and Modernist architecture, Eileen Gray found recognition aged 94. As part of our International Women’s Day programme, here’s our guide to the life of this overlooked master, and her infamous seaside villa, E-1027.
100-year-old artist Diana Armfield RA writes about the joy of painting the flowers in her garden.
This International Women’s Day, we celebrate an artist once dismissed as a “San Francisco Housewife” who refused to see parenthood as an obstacle.
Joy Labinjo is quietly changing the course of art history from a small studio in south London. Writer Fiona Maddocks meets Labinjo to discuss her ambitious paintings, and the next steps in her career.
Cristina Iglesias, whose sculptures bring out the otherworldliness of the cobbles, stones, bricks and mortar of cities, speaks to Debika Ray about winning the 2020 RA Architecture Prize.
Art historian Patricia Berman traces Edvard Munch’s surprising influence on women artists, from Tracey Emin RA and Marlene Dumas Hon RA, to Louise Bourgeois and Maria Lassnig.
The RA started out with two female Academicians, then took over a century to elect any more. As we celebrate our 250th anniversary, we take a look back at the women who fought the odds to be a part of our history – and the ones helping to secure our future.
Know your O‘Keeffe from your Kahlo? For International Women’s Day, we’re celebrating a few of the great female artists who deserve a wider audience. Take the quiz and let’s see how much you know.
Despite the image of art dealing as a man’s world, women played a crucial role in the display, promotion and sale of 20th-century British art. Gill Hedley profiles three female gallerists who promoted British artists.
While the past decade has seen more female artists becoming Academicians, they have been a rare sight for much of the RA’s existence, and were even excluded from Zoffany’s famed painting of the Academy’s founders. Historian Amanda Vickery delves into the archives to discover the pioneering women who wielded the brush.
Does being a female artist influence how a work is created and perceived? Our panel discuss.
To mark International Women’s Day, we asked some of the great women in the UK art world, from artists to editors, where things stand when it comes to equality. Here’s what they said.
At an event celebrating International Women’s Day, a panel of female Academicians and students discuss their experience as 21st-century artists.
Eileen Cooper RA and Helena Morrissey discuss whether art institutions need to prioritise women to achieve gender equality or whether positive discrimination is counter-productive.