As art-making is ebbed out of schools across the country, we overlook the skills it delivers – strengths that should be the envy of “proper” academic education, says Michael Craig-Martin.
Eliza Bonham Carter, Curator and Head of the RA Schools, and RA Schools student Ewan Macfarlane share their thoughts. Cast your vote below.
Is an artists’ union necessary? Bob and Roberta Smith RA and David Mach RA share their thoughts. Cast your vote below.
Can we consider colours as purely subjective forces? Kassia St Clair and Emyr Williams go head to head. Vote on the winner below.
From a curator’s introduction to reflections on 1950s New York, catch up on discussions surrounding our Abstract Expressionism exhibition.
Can utopian ideals help architects to build better futures? Or are these efforts doomed to be too rigid, over-simplified and suppressive? Ian Ritchie RA and Hugh Pearman go head to head. Vote on the winner below.
With art gallery attendance at record levels and global events putting pressure on cross-cultural understanding, History of Art is a more vital subject than ever. The decision to axe its A Level may be a sad sign of things to come, says guest columnist Professor Michael White.
Despite the image of art dealing as a man’s world, women played a crucial role in the display, promotion and sale of 20th-century British art. Gill Hedley profiles three female gallerists who promoted British artists.
Should artists bow to tradition, or should they break all the rules? Martin Gayford and Richard Cork go head to head. Vote on the winner below.
In the headline debate for the London Festival of Architecture, our panellists and audience discuss how architecture can be used to bring people together at a time when Britain’s relationship to Europe and the rest of the world is the subject of intense discussion.
The English Baccalaureate currently excludes arts subjects from compulsory study. As plans go ahead for a parliamentary debate on 4 July, our artists and architects ask for your support in keeping creative subjects at the heart of education.
Without the contrast to harsh judgements, does praise have any meaning? Or is the role of the critic to simply inform and encourage readers to go and see for themselves? Jonathan Jones and Simon Wilson go head to head. Vote on the winner below.
From a discussion on the issues of attribution to a debate on portrayals of age and beauty, catch up on all our discussions surrounding the exhibition, In the Age of Giorgione.
If we can’t tell by looking at a work, does it matter who painted it? Or does knowing the authorship increase our understanding? An artist and an art historian go head to head. Pick your side and vote below.
Is how an artist’s work is conserved part of their remit as its creator, or is it a decision for those caring for and interpreting the work for the public? An artist and an art historian go head to head.
With architectural production becoming ever more beholden to the needs of capital and the building industry, the role of the architect is changing, says our curator. Owen Hopkins introduces the critical issues informing our new season of events.
Does our perception of a painting rely on the electricity of human encounter? This week’s writers battle it out. Read both sides then vote below…
Would building more museums help to improve society or be a wasteful luxury? Theatre-maker Stella Duffy and curator Kieran Long go head to head. Read both sides then vote in the poll below.
As parts of Eduardo Paolozzi RA’s mosaics are removed from Tottenham Court Road tube station ahead of Crossrail, Richard Cork hopes that Transport for London will honour its promises.
As the local government funding gap grows, councils will cash in on their art collections, warns Louisa Buck
Visual art can shape approaches across public policy. Here are three unlikely areas where art and artists can make a difference.
Ron Arad RA and Sam Jacob discuss whether considerations of beauty are valuable in architecture, or whether they detract from more important issues.
How the attention given to material choices and use in our ‘Sensing Spaces’ exhibition inspired a debate about the essential building blocks of architecture.
Georgina Adam says that the money has allowed artists and art lovers new opportunities, while J.J. Charlesworth argues that high prices have turned artworks into investments.
Eileen Cooper RA and Helena Morrissey discuss whether art institutions need to prioritise women to achieve gender equality or whether positive discrimination is counter-productive.