The Summer Exhibition is the world’s oldest open submission exhibition – which means that anyone can enter their work to be considered for inclusion. It’s happened every year since 1769, and each year a Royal Academician, such as Yinka Shonibare RA, Grayson Perry RA and Jock McFadyen RA, coordinates the exhibition.
In recent years, the exhibition has featured new works by Royal Academicians, Honorary Academicians and artists, including David Hockney RA, Wolfgang Tillmans, Tracey Emin, Bruce Nauman, Wim Wenders and Ed Ruscha.
The works in the Summer Exhibition are selected and hung by Royal Academicians, who also exhibit works in the exhibition, creating an eclectic mix of work by established artists alongside emerging talent and first-time exhibitors. In previous years, nearly two thirds of the exhibits were by non-Academicians, £50,000 worth of prizes was awarded, and over 5,000 works were sold.
Everything you’ll see at the Summer Exhibition represents what is happening in the art world right now. It features new and recent art created by everyone, from emerging artists to the biggest names in contemporary art and architecture. Now more than 250-years-old, the Summer Exhibition continues in the tradition of showcasing a variety of work in all media, including painting, sculpture, photography, printmaking, architecture and film. This must-see exhibition is a unique window onto all areas of the contemporary art world.
Since 2015 all of the works in the Summer Exhibition have been available to browse online with our Summer Exhibition Explorer, with many of the pieces available to purchase.
The deadline for submitting artworks has now passed. The results of the first round of judging will be sent out on Wednesday 22 March.
Each year, a different committee of artists and architects select over 1,000 works for display. This year, the committee is led by the celebrated British painter, David Remfry and includes, Peter Barber, Eileen Cooper, Bill Jacklin, Katherine Jones, Tim Shaw and Clare Woods.
In celebration of the Royal Academy’s 250th birthday and coinciding with The Great Spectacle exhibition, a new open access publication by the Paul Mellon Centre looks back at 250 years of the Summer Exhibition. Explore 250 years of stories, artworks and data, alongside lively year-by-year essays and a complete set of digitised and searchable Summer Exhibition catalogues.
Norman Ackroyd RA, Summer Exhibition Co-ordinator 2013
“I think my work was successful as it is bold, and confident in both its use of colour and form. I feel that you should always be pushing your practice further, be confident in what you do and don’t be afraid to take risks. Mistakes will happen, but they are all part of the development process.
Your work needs to stand out from the 1000s of other entries. Smaller pieces stand a greater chance of inclusion over larger works. Look at the works that have been included in recent years and use them as a yardstick to compare your own to. Be different or be really at what you do; even better, be both. If at first you don’t succeed, keep trying until you do.”
“Study, research and resolve, I believe are key factors in the quest for success in getting accepted for the RA Summer Exhibition. Although there are of course no guarantees, plus enormous competition, I feel it is helpful to study the art works in the current show, and records of previous shows.
Also reading the RA magazines, and noting what the Royal Academicians say, both in print and on line in their short videos is beneficial. Most importantly, observe carefully and make notes. Absorb the very essence of the RA Summer Exhibition. Breathe it in. Be inspired.”
“I try to approach my art with curiosity, and soak up everything around me. I spend time with as many like-minded fellow artists as I can, sharing creative thinking, learning new techniques, and getting inky together. Printmakers should "see one, do one, teach one”.
I am also tenacious, entering every year – third time lucky. I looked on rejection as a spur to get better and try more ideas. I submitted different-looking works, as you can’t predict the vision of the curators. And it worked. It has made my art better, I think. Thank you RA.“
Made specially for the Friends of the Royal Academy, Varnishing Day: A Moment in Time features the work of 100 Royal Academicians.
Conceived by Hughie O’Donoghue RA and David Mach RA, with the assistance of Ian Ritchie RA, this beautiful portfolio includes work from some of the heavyweights in British art – Tracey Emin RA, Grayson Perry RA, Yinka Shonibare RA and Farshid Moussavi RA.