Students have created a giant collage to greet passers-by while restoration work takes place at the RA’s Burlington Gardens building. Harriet Baker finds out how they made it.
From a discussion on the issues of attribution to a debate on portrayals of age and beauty, catch up on all our discussions surrounding the exhibition, In the Age of Giorgione.
Catch up on our recent event series on the mavericks of architecture – those who have pushed the genre’s boundaries and defied its conventions.
The Royal Academician’s sculpture inspired by the mathematician Ada Lovelace goes on show at The Peninsula Hotel.
For Matisse, Kandinsky and Munch, the garden provided inspiration as they worked towards new styles of painting.
From Frida Kahlo’s courtyard to a tropical sculpture park in Brazil, art and the outdoors meet to spectacular effect across the world. With Monet’s paintings of Giverny in our galleries, here are 11 more must-see gardens for art-lovers.
To mark International Women’s Day, we asked some of the great women in the UK art world, from artists to editors, where things stand when it comes to equality. Here’s what they said.
The artist tells us why Van Gogh was his earliest inspiration, and why he still loves Josef Albers’ square paintings.
From visiting artists in their studios to advising Art Sales buyers, Katherine Oliver’s role at the RA is ever-evolving.
From a note from Diebenkorn’s diary that went viral to a peep inside our latest show, these were some of the features our readers loved most this year.
The artist tells us why she is inspired by Arctic explorations and the Scottish coastline in winter light.
Inspired by Jean-Etienne Liotard’s pastel virtuosity? Find out more about this versatile medium with some tips from the experts.
From a curator’s introduction to the work of Ai Weiwei, to Cornelia Parker RA discussing the artist’s destructive techniques, we present a round-up of podcasts on our blockbuster exhibition.
The architect’s sketchbooks are currently on display at the RA. We visited him at his practice to find out why, in an age of computers, drawing is still at the centre of what he does.
As she turns her focus to a group of small sculptures, Phyllida Barlow tells us what music inspires her and why she loves Picasso.
In this video series, curator MaryAnne Stevens takes us inside the Sackler Wing exhibition devoted to the 18th century Swiss master, Jean-Etienne Liotard, and picks out a few highlights.
His last bestseller, The Hare with Amber Eyes, traced his family history through the journey of a small Japanese carving. Now, in a new book coinciding with a display at the RA, Edmund de Waal turns to the history of porcelain.
From losing consciousness to sitting motionless every day for three months, the inimitable artist pushes her body to its limits. Watch her in conversation with Bryan Appleyard.
From a curatorial introduction to the work of Joseph Cornell, to in-depth discussions of the artist’s relationship to Surrealism, here are three essential podcasts.
Artist and writer Edmund de Waal gives a tour of his new project in the RA Library and Print Room.
We visited Edmund de Waal in his south London studio, where he told us about creating a space for both making and writing.
Ai Weiwei has worked in everything from paint to readymades. As our landmark exhibition examines work from 1993 up to the present day, we take a look at some of the key works to know from across Ai’s career.
As Eileen Cooper RA guides us round both her studios, she tells us about her career in printmaking, and why she loves drawing in charcoal.
From his studio in south west London, Anthony Whishaw RA tells us how he has been influenced by Goya, and why he enjoys working from two studios.
As Piers Gough RA guides us round his practice in Clerkenwell, he tells us what it was like to work with Paul Smith, and what it really takes to be an architect.
Each month we catch up with a different Royal Academician. Here, Tess Jaray RA tells us about a recent shift in her colour palette, and shares “the only rule” for aspiring artists.
Each month we catch up with a different Royal Academician. This month, Ann Christopher RA tells us about casting plaster figures, her love of Richard Serra’s work and her new sculpture in Uganda.
A unique figure in American art, Joseph Cornell worked in his own, extraordinary medium – the shadow box. Now we’re inviting you to capture your dreams in boxes too, in our Instagram challenge.
The inaugural Friends Week at the Royal Academy featured a packed programme of talks and events. If you missed it – don’t despair. Here are some of the highlights.
The Summer Exhibition Preview Party is one of the most glamorous events in the London calendar – and a major fundraiser for the RA.
As he prepares to exhibit new work, we chat to Timothy Hyman RA about his love of Sienese frescoes and learning to paint with gouache as a child.
As he prepares to open a new retrospective of the work of Eileen Cooper RA, we chat to Morgan Feely about his daily life at the RA.
Each month we catch up with a different Royal Academician. This month, here’s Michael Landy RA on destroying his work, being afraid of Tracey Emin and why young artists need a thick skin.
We’ve heard the party manifestos – now let’s take a look at the ones that shook up the art world, from Sir Joshua Reynolds to the Guerilla Girls.
Each month, we have a quick chat with one of our Academicians to find out what they’re up to and what the RA means to them.
With an exhibition of paintings by John Singer Sargent at the National Portrait Gallery, we take a look at one of this Royal Academician’s most famous works.
Each month, we have a quick chat with one of our Academicians to find out what they’re up to and what the RA means to them.
Each month, we have a quick chat with one of our Academicians to find out what they’re up to and what the RA means to them.
Charles Stewart’s illustrations to the Gothic novel Uncle Silas hint at an unusual life. Here are five surprising facts.
Each month, we have a quick chat with one of our Academicians to find out what they’re up to and what the RA means to them.